I'm gonna hit you with what I'm hearing as I go through this:
--From the get-go it sounds like you could sidechain your tracks to your kick better, especially the dhol. The low ends are clashing
--The hiphop vocals at the beginning could use some autopan on them to make the track more pleasant overall
--In the first track, the pitching is off with the remixed track, might be off by 1-2 semitones, kick sounds clean though (again back to the sidechain thing, generally the compression on the kicks and bass is an issue throughout)
--Cool concept w/ the putt jattan de trap drop, but again pitching issues seem apparent (this is an issue throughout the mix, stuff is like 1-2 semitones off everywhere there is an instrumental track layered over your bhangra track)
--First few transitions could be a little more well thought out, either using some Lalkare or even simple riser/downlift concepts could fix the awkward pauses with the filter sweeps you're tryna do
--It seems like you're relying very heavily on the bass to carry you through the mix, which really shouldn't be the case. In terms of pump, that comes from a tight kick with a bass/everything else sidechained to it. And even if you don't have kick, make the dhol the feature of your mix, this is bhangra after all.
--Kehra Rokda had a weird volume shift going into kangna
--The Jugni drop leading into the ending was actually a pretty cool concept, but again it comes back to the whole bass-heavy comment, which can ruin what is easily a rly hot and well thought out drop
--Ending is a pitching mess at ~7:00, just listen to it yourself, it's super super dissonant and not a pleasant dissonance either
--In the very ending, the bhangra track/vocals can barely be heard over your kick/snare line, which is definitely an issue
Overall critiques:
-You need to look up some tutorials on how to use sidechain with compression in your tracks, it'll be your saving grace
-Learn how to EQ kicks and bass lines properly (YouTube has some fantastic tutorials depending on the software you use), as a rule of thumb you should cut out the bass frequencies (using a high-pass filter) on literally anything that isn't your bass or kick, as otherwise your mix will get ridiculously muddled in the low end
-Listen to how other mixes do transitions between tracks, nothing fancy, just simple riser drops can help you out
-PITCHING. If you don't have a musical background, check out some articles on major vs minor keys, pitching, basic music theory, etc. Too many DJs/producers out here think they're hot stuff cuz they can slap 2 tracks together without pitching them together correctly. Avoid this mistake by educating yourself
-LEVELING. There were many many leveling issues throughout, and you can listen to the mix yourself and her the parts where it's all kick/snare and no vocals or dhol.
-Use stereo width to your advantage. Pan your tracks L/R in different ways and use autopanning on less important tracks so that everything doesn't take up center stereo
Finally, it's important to send your mix to someone more experienced at this stuff than you for critiques throughout your production process so that you learn along the way from your mistakes instead of all at the end.
I hope my comments weren't too harsh bud, more people need to post mixes they've done for feedback and more producers on this forum need to start offering productive feedback like people used to. PM or wte with any questions you might have about something I said. Thank you for asking for people to grill you with comments, it'll only help the musicality in this scene grow along with the dancing and choreo. Good luck, you have potential for sure, and keep at it!
