yraparla
SwizzeeMusic.com
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Generally they were hard cuts as opposed to the seamless mixing we have now (although still well-timed and not necessarily abrupt). In the mid 2000s you saw much better mixes, I think the rise of digital audio workstations (Audacity) was a huge influence for this. People would also rip sections of songs for effects and dhol beats, and in fact the most popular effects on BTF are literally handed down with the same filenames that the person 7-10 years ago named them. No joke.KarnSingh said:what about mixing?? were there always affects and crazy transitions??
California teams were very instrumental in bringing a performance concept, so including mix and voiceovers as a production and really engaging audiences. Of course it was happening around the continent at the same time (TRB, ), but I really feel like SoCal pushed and popularized mixes as important aspects of bhangra competitions, as opposed to seeing them as a canvas on which to dance. Others may disagree, but I point too Soormay, KJ, RP, Sher Foundation, LBC (ey yo LBCCC...lights, camera, bhangraaa), etc.
But I was in high school pre-2007 so don't take me as gospel. People competing at that time could have a different perspective. I only know what I saw at Blowout and on videos, which is a small sliver of the circuit at the time