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Bulldog Bhangra @ Legacy of Bhangra 2015

sdhaliwal03

Member
Messages
58
It was a great experience performing for the first time at Legacy Of Bhangra and meeting all the teams. The committee was great and a special shoutout to our liaison (Naaz) who was very helpful and always there when we needed her. Everything was done very smoothly as well. Unfortunately, due to technical difficulties our beginning was off. Our mix was not played from the beginning which confused everyone but we tried our best to recover. We would appreciate all the feedback and advice we can get on how we can improve ourselves on becoming a great team! Thank you and we hope you enjoy the video :D


https://www.youtube.com/watch?v=DtCKAzUtWp0
 

angeblah

Active Member
Staff member
Messages
97
I enjoyed watching your team perform at the show! Congratulations on winning Best Mela!

During your set, the first moment when I really felt something was your jhummar segment. The different scenes (I loved how those were staged) highlighted each dancer's acting and personality well. Most importantly, it was like watching your dancers finally come to life!

It's a simple thing, but if you guys can work on enjoying every second of your set, I think both you and the audience will get so much more out of the performance.

Side note, I noticed a lot of the dancers turning their knees inward for the betkan. Something that might help is thinking of "turn out" as coming from your hip sockets, not your knees. Think of rotating your entire leg within your hip socket; that should help keep your upper and lower body in proper alignment.

Also this thread is great: http://bhangrateamsforum.com/discuss/main-bhangra-discussion/proper-betka-technique/

See you all at CSUN. ;)
 

scaplash

Husky Bhangra (retired); KWG; GR
Messages
127
Enjoyed the boli. Overall I think you guys are thinking about the right things in terms of making a set ut I think to get to a higher level there is some work to do.
-There is a noticeable dancer disparity in both energy and execution/form
-In terms of overall form, I think your choreo will look better with chins up (as in stand up a bit taller)
-Formations were stagnant- you guys most frequently had movement in the beginning and end of a segment but then had minimal or no movement throughout the segment-not every segment has to have people running around stage, but having formation changes that build into a drop or a memorable moment can make the set better
-The song used for Jugni I personally didn't like, its been done a thousand times over by NJW and NSG and i think that if you guys wanted to go with it, you should have re-invented the song
-Jhoomer was awesome. I really liked the different approach and it really was the memorable part of your set-I think you can build on it to make it better, but I liked it
-The khunde slowdown and the moving circle didn't really hit. I could tell the flags were coming as soon as you picked up the khunda and the circle formation into the drop i think wasn't very hype.
Anyways, those are just some quick thoughts looking at the set, if you want more in-depth critiques, PM me and I hope they help-best of luck at future comps
-Sonny
 

Yesh

Member
Messages
41
I have some mixed feelings about this set. I'm going to talk through the entire routine from vardiyaan to lighting cues, etc.
You cant miss the beginning. It seemed like some of the dancers werent ready for it, but regardless, not hitting the first beat of the routine on point is a serious bummer for me.
In your shikke segment, i dont see the need for strobes on the drop, it actually made it seem like you were hiding something during the drop.
Kato segment - keep your elbows up at all times, it makes form look weak.
Khunde gimmick has been done, just in a different way -> if your gonna do a gimmick, be 100% its gonna hit!
phumaniya segment - form on phumaniya and bedi didnt seem especially developed, i recommend watching some other teams videos.
Jhummar - my favorite moment of any routine (for the most part), and this routine as well. However...form was off (ill talk about that at the end)


Mirza - make sure everyone hits that first beat together again
***Also at this point in the routine paags were an issue with flopping, its very distracting
During jugni, the guy in pink, do not let your chaadar slip up on your leg like that! Many judges will dock points for that

Gimmick of bringing out more dancers -> its been done before, so it didnt have the effect that it used to (just a personal opinion)


So overall dancing critiques, saaps form was strong, but after that the upper body form suffered throughout the entire routine. Postures were weak, arms were inconsistent between dancers, etc. It will benefit everyone on your team to work on dancing with a large posture (think about sticking your chest out, and as mentioned earlier lift your chin up), shoulders need to be bouncing more.


One thing I always tell my dancers is to dance between the beats. This means to actively thing about the time between the beats and works on taking up all the time between beats with your dancing. This always means that the transition from one move to another or even from one beat to the second beat is crucially important. Once this is standardized between all your dancers, youll see drastic improvements!

Any time you have triple steps/taps like during jaddu sangha/morchal, everyones knees need to get up, its the weakest footwork for your team so far.
For punjab and dhamaal footwork, make sure the knee is getting up high as well
When doing step down/taps footwork, dont let your upper body sway side to side


Jhummar is a whole different story, make sure when dancing jhummar that you dont rush the beats! Its a slow graceful segment, but dancing it rushed ruins the effect of it all. Also most important part of jhummar is having a nice big posture, this dramatically increases your stage presence! Like i mentioned earlier, work on dancing between the beats, standardize everything from how/when you lift your leg, to how your hand will move from one spot to another.

Overall, once form is standardized, posture is fixed, footwork is improved, energy and cleanliness are improved upon, this team will be fire! Keep at it, and consciously work to fix these things at practice!


As scaplash said, the formations did seem stagnant, nowadays people want cool intricate formations, this doesnt mean moving from one shape to another, but it means to move to a formation, and do something really unique within that formation. Make sure each formation serves a purpose, wether it is building up to a drop or hitting a gimmick or whatever.

Lastly, I saw some moves in choreo that i personally wouldnt use to move around the stage. For example, jumps or kichan (sp?) are not great moves to be using to move around stage, they are moves that just look better being wrecked in spot. other moves like sways are meant for moving around stage!


P.S. Manreet told me this was your first comp, I'm impressed with that! Keep on working hard and you'll be great in no time. Don't fall under the trap that most collegiate teams do nowadays, don't just teach the set to the dancers, teach the actual dance (form, posture, and style) first, then work on the set. Youll be amazed at how clean and powerful the set will look then!


Good luck in the future and feel free to message me with any questions about anything!
 

KushK

Well-Known Member
Messages
1,161
Saw the set a couple times and I know people said it already- jhoomer was your best segment hands down. A lot of the stuff you guys did was very generic but when I see the seemless transition into the mela/jhoomer, it was definitely very different. It is ideas like these that can make a team really stand out and it wasn't really even a gimmick but just very creative. The whole scene went with the lyrics of the amrinder gill song and even though teams have used it already, this probably was one of the better choreographed segments to that song. THIS IS EXACTLY how you need to approach 2-3 more segments in your set and it needs to begin with your props. You will always have 2-3 filler segments with good solid bhangra- but what can your team do that teams A, B, C aren't or haven't done already? So excellent approach with that segment.

Rest of the set to me was pretty generic and ok, nothing really stood out to me. The kids at the end was a cool touch, nothing I haven't seen before. Personally I'm not a fan of them not wearing bhangra vardiyan also.

Speaking of vardiyan, now this is totally just my opinion- they are way to dark and honestly did not look good on stage. I get the whole silver kurta thing, but vardiyan need to be bright and bring color to your dance. These vardiyan did not accomplish that. Maybe look for white kurte or something else to brighten up the vardiyan? Now it might just be the lighting also because in all the LOB sets, I noticed very dark blueish background lighting and the white back lighting was definitely missing- but none the less I don't think the white kurte will hurt the look of the outfits.

Overall good job and congratulations on a solid start and foundation for the coming future!
 

LovleenK

Hoye hoye hoye!
Messages
8
Thank you all for your honest opinion and the detailed feedback! It definitely has motivated us to improve ourselves for future competitions. We will work on everything that was mentioned in this post and hope to become a great team!! :)
 
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