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J Wong said:I think what this all sums up to is to not let gimmicks and hip hop amount to over 50% of the mix. A less is more sort of thing. BTW, great job at Bruin.
ya i went through a "black" phase in middle school but i grew out of it and i've never looked back. the only music ever played in my house was kirtan so when i started listening to folk Punjabi music, i had no prior exposure or any reason to actually like it, but the more i've listened to it, the more i love it. i agree that music and dance has to evolve overtime but I disagree with your statements implying that it is necessary to have a lot of effects and hip hop to be competitive; I see the emphasis on effects and hip hop as a current fad/phase. My personal opinion is that this fad has been played out at this point, I can’t make any assumptions about where bhangra mixes will be 3 yrs down the road but I think people need to start exploring other avenues. that’s the cool thing about evolution, there’s always a variety of different paths you can take. We’re only limiting ourselves by emulating trends created by others, plus it just leads to a lot of homogeneity. I’m not gonna deny my love for live/folk performances, yes my knowledge of the history of bhangra and even modern bhangra is severely limited but it’s tough to describe the enjoyment I get from seeing a good live performance. It’s just raw and beautiful watching a team dance to dhol, dhad, tumbi, sarangi, and a good singer. Dil khush ho janda eda di performance dekh ke. You’re right things have to change but it’s everyones responsibility to guide that change and ensure that you don’t completely disconnect from the roots. Thanks for the input.faizan said:folk. folk. folk. folk. folk.
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but Hardeep, on that mix thing, it's not happening bro, not because I'm a dick and I'm wrong, but because...it's just not happening. Let it go guys, the hip hop stuff is us, and the old stuff, is us too.
+ 1. even i like listening to the hip hop beats fused with bhangra SOMETIMES but i just think it's been overdone to death. It just for me takes away the authenticity of the whole dance to some degree. It feels so refreshing and good to watch something like this after hearing the OTT remixing, "ching" sounds, and Lil wayne beats: Virse De Waris & Heeray Punjab De @ Bruin Bhangra 2011. Watching this feels like a breath of fresh air!hardeep_singh said:ya i went through a "black" phase in middle school but i grew out of it and i've never looked back. the only music ever played in my house was kirtan so when i started listening to folk Punjabi music, i had no prior exposure or any reason to actually like it, but the more i've listened to it, the more i love it. i agree that music and dance has to evolve overtime but I disagree with your statements implying that it is necessary to have a lot of effects and hip hop to be competitive; I see the emphasis on effects and hip hop as a current fad/phase. My personal opinion is that this fad has been played out at this point, I can’t make any assumptions about where bhangra mixes will be 3 yrs down the road but I think people need to start exploring other avenues. that’s the cool thing about evolution, there’s always a variety of different paths you can take. We’re only limiting ourselves by emulating trends created by others, plus it just leads to a lot of homogeneity. I’m not gonna deny my love for live/folk performances, yes my knowledge of the history of bhangra and even modern bhangra is severely limited but it’s tough to describe the enjoyment I get from seeing a good live performance. It’s just raw and beautiful watching a team dance to dhol, dhad, tumbi, sarangi, and a good singer. Dil khush ho janda eda di performance dekh ke. You’re right things have to change but it’s everyones responsibility to guide that change and ensure that you don’t completely disconnect from the roots. Thanks for the input.faizan said:folk. folk. folk. folk. folk.
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but Hardeep, on that mix thing, it's not happening bro, not because I'm a dick and I'm wrong, but because...it's just not happening. Let it go guys, the hip hop stuff is us, and the old stuff, is us too.
Dear Sue, 143.Sue Sylvester said:Homo Erectus would have agreed with you. Wait, oh yeah... that thing called evolution...J Wong said:Its about time that people start realizing that Bhangra isn't about gimmicks and hip hop mixes, its about traditional form and execution which presently has deviated from its original state greatly.
lol i'm friends with 1 of the founders, maybe one day i might have a chance to dance with em if i get good enough and they do an east coast comp, but ya i'm not actually on panjHarmanSingh said:Hardeep- doesn't PANJ use hip hop beats and stuff? If your own team isn't living up to the "standard" you have set why would you expect other teams to?
what she saidMariam said:I think the initial comment on this was a yearning for was more mixes where the Punjabi music isn't drowned out by lil wayne's bass. Hip hop is a great in a mix, but it's best when balanced out with dhol, nice subtle effects, make sure the punjabi vocal is loud enough, etc.
Harman Toor and Gsimz in particular do a good job with this. If you listen carefully they delicately lay in a lot of simple sounds, loops, and beats that really add to and emphasize the original songs rather than relying on hip hop to completely carry the mix.
Note that this does take a lot more time, talent, and skill than just mashing up songs and beats. Not everyone has the talent and dedication, or the resources to get them...
trueThe bhangra scene for the past 6 years has been about fads. It seems like every season or couple of seasons, we go through a new fad.