siddyp said:
scaplash said:
And lastly I think execution of the set is something that also can make
a good mix (for me at least)-its a type of bias for me- if a team really kills a certain segment/song, I end up liking that song a lot more than I would have listening to it on its own. I think a lot of people fall under this bias in a way- you look at the mixes written here and while I can't speak to their mixing quality, a lot of the mixes are of teams that have had some memorable sets over this past year-so in my head I feel like there is a correlation between the two.
I think this is an extremely interesting point. That people like mixes based upon the efforts of everyone else but the mixer. The choreo/formations/gimmicks/and the execution of it all.
The mixer ultimately has little to no ability to influence this part outside of sound effects/drops/changes in beats to enhance the visual. Because the mixer could do an amazing job implementing the effects/etc. to compliment the visual, but if everyone else doesn't do their job, the mixers effort doesn't reap the reward...
Better teams have more coherent dancing ideas and the music is usually cut and mixed to match that. I also think better/more experienced teams have better overall song selection and more helpful ideas to contribute, which plays a HUGE role in whether a mix turns out well or not. A mixer is at the mercy of the team he/she mixes for -- if the team comes up with an idea that doesn't make sense and insists on doing it, that's going to be reflected in the mix.
In this case, familiarity also breeds success -- the better a team is, the more people are going to watch their video, then know the set, and remember the music. It gives the mix more of a chance to grow on viewers/listeners and have positive associations with it.