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Damn thats deep bro. Would make for a sick gatorade bhangra commercial hahaSaab said:I do it because I love it, because I love the people with it, and I can express myself through it. You can take away a lot of things from me, but you cant take away this. Ive earned it with sweat and long hours, and itll never leave me.
Hahahahahahahaha I like itkinnell said:I don't. I do raas. Duh.
you can't even do thatkinnell said:I don't. I do raas. Duh.
and Somia!Ricky916 said:I do bhangra because i love dancing nd becuz it keeps me connected wit my culture! ;D
+1COMTONDAJATT said:I am curious to know what about Punjabi culture you guys think Bhangra spreads or brings awareness to? It did not even technically exist 60 something years ago and the context of the dance/dances are taken away when they are done on stage and in competitions.
I sooorta see what you're saying bro, but through stage bhangra, we still help the audiences that are not as much connected to the culture. Just within my family, watching competitions like DDA, and nachda punjab and stuff, many of younger cousins got into bhangra, which led them into speaking punjabi more often and fluently, which led them more into sikhi, which led them to connect more with the grown ups in the community, do seva at the gurdwara, just get a better sense of their own identity etc. etc. So, I think doing bhangra on stage to stay connected to your roots isn't exactly bs. I'm sure doing bhangra was just something they thought was cool when they first saw it on stage, but it helped them relate to their own peers and culture indirectly.COMTONDAJATT said:I am curious to know what about Punjabi culture you guys think Bhangra spreads or brings awareness to? It did not even technically exist 60 something years ago and the context of the dance/dances are taken away when they are done on stage and in competitions.
I can understand the rush of preforming, being able to meet new people and having a sense of identity, and wanting to hook up with punjabi kuriyan but whenever someone says the culture thing I automatically think BS because there are much better/genuine ways to experience and share Punjabi culture.
One of the reasons I finally decided to pursue Punjabi properly in college was because of bhangra musicGugu said:I sooorta see what you're saying bro, but through stage bhangra, we still help the audiences that are not as much connected to the culture. Just within my family, watching competitions like DDA, and nachda punjab and stuff, many of younger cousins got into bhangra, which led them into speaking punjabi more often and fluently, which led them more into sikhi, which led them to connect more with the grown ups in the community, do seva at the gurdwara, just get a better sense of their own identity etc. etc. So, I think doing bhangra on stage to stay connected to your roots isn't exactly bs. I'm sure doing bhangra was just something they thought was cool when they first saw it on stage, but it helped them relate to their own peers and culture indirectly.COMTONDAJATT said:I am curious to know what about Punjabi culture you guys think Bhangra spreads or brings awareness to? It did not even technically exist 60 something years ago and the context of the dance/dances are taken away when they are done on stage and in competitions.
I can understand the rush of preforming, being able to meet new people and having a sense of identity, and wanting to hook up with punjabi kuriyan but whenever someone says the culture thing I automatically think BS because there are much better/genuine ways to experience and share Punjabi culture.
Also, did you watch the documentary on bhangra that featured DDA and Bhangra Empire last year? Those kinda things help spread awareness about the culture and who we are. Now say some non-punjabi watches that video, he/she would be pretty damn interested in finding out more about what this "bhangra" and "punjab" is about.
In the end, bhangra on stage does more good than harm, IMO obviously.
Werd, I can agree on that. This is why one of the reasons I find the modern/traditional debate so stupid.Ashveer said:+1
I would submit that the change from folk to performance was completely untraditional, and only serves to promote more of an imagined version of Punjabi culture that erases and collapses a bunch of different narratives and histories. But why worry about that?![]()
You have good points but like you said most of the positive benefits come pretty much indirectly. I am sure it can be an impetus for some people to go down that path of learning their language but I just don't feel it is honestly about cultural awareness more than it is for people to be a part of a community or group and forge some kind of identity. Nothing wrong with that at all btw.Gugu said:I sooorta see what you're saying bro, but through stage bhangra, we still help the audiences that are not as much connected to the culture. Just within my family, watching competitions like DDA, and nachda punjab and stuff, many of younger cousins got into bhangra, which led them into speaking punjabi more often and fluently, which led them more into sikhi, which led them to connect more with the grown ups in the community, do seva at the gurdwara, just get a better sense of their own identity etc. etc. So, I think doing bhangra on stage to stay connected to your roots isn't exactly bs. I'm sure doing bhangra was just something they thought was cool when they first saw it on stage, but it helped them relate to their own peers and culture indirectly.
Also, did you watch the documentary on bhangra that featured DDA and Bhangra Empire last year? Those kinda things help spread awareness about the culture and who we are. Now say some non-punjabi watches that video, he/she would be pretty damn interested in finding out more about what this "bhangra" and "punjab" is about.
In the end, bhangra on stage does more good than harm, IMO obviously.