sgrewal30 said:
Govind said:
sgrewal30 said:
You ant even differentiate between a rigged comp n a legit one anymore because there are so many politics in them now.
I would really like you to explain this sentence please. I will be more than glad to elaborate on this from a judge's perspective after hearing your response.
yah, um, who are you?.. i dont really trust your perspective seeing as how i dont even know who you are.
the statement you quoted isnt straight out of a physics book or anything.. i mean its pretty straight forward...
if i really cared to elaborate i would have. but seeing as how that would just be deviating WAY too far off from the actual topic i wont because the statement was only made to further my initial point.
I did a double take after reading the rather blanket statement you wrote, and simply asked you to explain how you could legitimately say that...competitions seem to be all about politics these days when it comes to placings. I completely disagree with that insinuation, having worked with many committees this year and having observed their utmost professional behavior when it came to respecting judges' decisions and control over placings.
People should give credit to competition organizers and the higher standards they have been held to (and met!). There have been tremendous leaps in the ways competitions have been judged and run the past two years...with post-competition feedback sessions with all judges being one of the most rudimentary but absolutely essential mainstream additions to competitions. Let me remind you all that when most of the people who have been in the scene for a while danced back in the day, we NEVER ever could expect to have feedback sessions after a competition much less receive ANY kind of comments or scoresheets. Placings were announced, no one even knew who the judges were for the most part (no bios published anywhere), and that was it.
I wish that when I was a dancer I could have the opportunity to interact with judges who could tell me what I was doing wrong, how I could improve my set and how improve my execution of moves. I attribute my slow growth of my dancing skills during my first two years doing bhangra to my inability to interact with people who could help me get better. That's in part why we take our jobs so seriously now...
Perhaps this competition denied you the opportunity to have that experience in some way, and I'm truly sorry that that happened, because I know the frustration you feel. But I do not think you can extend your view to 'not being able to distinguish between a rigged or legit comp anymore due to politics.' BAB, BdM, BIB, Fever, Bayside, Jawani, Elite were all incredibly professionally run competitions (not to mention they were the biggest competitions in the East) where I had direct interactions with the organizers and I can personally attest to the high integrity with which they all approached the judging process.