siddyp said:
KarnSingh said:
Aditya said:
Bottom line is this: if you wanna make it big in this circuit and do some shit, you're gonna have to work for it -- no shortcuts. Don't worry so much about placing -- worry more about being as badass as you possibly can given your goals and constraints and never settle for anything less. Do things YOUR way, and don't stop pushing yourself to be better each day, whether its as a mixer, choreographer, or a dancer. And if hating every other team is what it takes for you to push harder, than so be it. Placings will come when you stop pandering to what you think judges want and just challenge yourself to be great.
+1
If you are a collegiate captain, and you are sleeping more than 4-5 hours a night on average, you don't have fire.
LOL. dawg. not sleeping enough isn't the answer I promise. We do a high intensity dance. One that puts a lot of stress on the body. Sleep is the time when our body heals and recovers. If you want your body to feel better, your knees to heal faster, your ankles, whatever. Get a couple more hours of sleep and you have a better shot at being less in pain.
Instead of sleeping less, be more effiecient with your time. I promise you can get everything done w a 16-18 hour window. Less sleep doesn't = less fire. More productivity and drive to get shit done = more fire
OH MY LORD. Please tell me that not sleeping enough is not actually a "sign of fire". That's some major BS. We don't need another generation of washed up bhangra dancers who spent all their time and brain cells in college jacking off to old SGPD videos. That is absolutely not true.
I 100% agree with Sid. It comes down to whether or not as an adequate captain you can manage your time, get the choreo and formations and shit done before the season begins and spend time teaching newcomers the traditional elements of dance and getting them up to par without wasting time turning 3 hour scheduled practices into 8 hour ones. There are so many successful teams that practice a couple of times a week, so bhangra is definitely something that SHOULD NOT be taking over your life. There's a difference between passionate and obsessed. Bhangra is high intensity and massively screws up your joints, as I'm sure almost any veteran dancer on this thread can attest to. Sleep is key, and something I honestly wish I had more of. If anyone read that and took it seriously...don't.
Aditya, also agree wholeheartedly. The problem isn't that teams don't want to come to competitions and place. Be better, push yourself to be better, and again, take risks. That's how the circuit evolves.
KarnSingh said:
I think the number one problem in the collegiate scene is the pussification of people growing up in America today. Collegiate dancers do bhangra to "make friends," "just to have a good time," "learn something new," "build a family," or whatever other dumb fuck reason they can think of. They can join the knitting club if they want to do all those things. What's lacking in the collegiate scene is mentality to fight, struggle, overcome-adversity, and build something greater than just friendships. College students today are too pussy to be criticized harshly, and too pussy to do deal with failure. I've dealt with many dancers who didn't want to dance for me anymore because they rather dance for a team where everything is already done for them. This is the overall mentality and shit that is holding the collegiate circuit down. People don't care to be original, nor do they care to fight to be the next big thing. They rather just feel comfortable in their little bubbles, and try to warm their own little hearts by doing washed up shit like "a cutsie jhummar," "putting lights on our saaps," "throwing a khunda across stage," mostly because it makes them "happy" and "feel good about themselves." The average college dancer today worries more about what they are going to wear at the after party and mixer, than knowing how to dance properly. I've had dancers at practice make the same mistakes over and over, not doing anything to fix them after being told repeatedly, and then eventually cry because they couldn't handle the pressure of being "called out." If these dancers can't even handle the pressure during practices, how will they have the "fire" to compete in the greater circuit.
^^^...I don't even know what to say to this. Collegiate teams are formed as a college club. Please keep that in mind. That's how I started out, and that's how many of us started out. I agree that the lack of fight to be the "next big thing" isn't apparent in collegiate teams, but the rest of it is kind of bullshit. If a dancer is making the same mistakes repeatedly, then there's something wrong with the way it's being taught. I don't know if you're a captain or not, but that goes into investing in your dancers to make them confident and stage-ready and throwing someone else on stage if they're not up to it. That environment sounds hostile and unproductive for everyone involved if you've got dancers quitting on you for pushing too much. At the end of the day, it's really not about competitions. It's about passion for the dance and a genuine interest in the culture and traditions. Maybe you ought to grab a few more hours of ZzZzs, buddy, you seem cranky.