Arjun Barua
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~ http://www.youtube.com/user/hultonclintBy the time of the 3rd World Romani Congress, in 1981, the interaction between Rom/Rrom (ethnic Gypsy) activists and Indian scholars and politicians had reach such a level that people, as Gratton Puxon here, were making positive statements about the relation between Punjabis and the Roma.
This clip from Marre's 1981 documentary film shows the quirky result of this emphasis on Punjab by Gypsy activists. Apparently, some bhangra dancers and a dholi were invited to perform. The way it is presented (here, at least), they seem to be making the argument that this is some kind of ancestral music of the Rom people. They are supposedly "united" by it.
However, most scholars agree that the ancestors of the Roma left the northwest Indian region around 1000 C.E. The limited, harvest-time dance called "bhangra" is not known to have existed for sure until the late 19th century. Though it may have existed in some form earlier, that is irrelevant, since the form effectively died out shortly after 1947 (Partition of Punjab/Independence). New forms of staged Punjabi dance were created from the 1950s that adopted the name "bhangra," and decade by decade it's form changed from then, with new additions. By the 1980s, this stage presentation of folkloric dance, largely newly contrived, had been mobilized for Punjabi nationalism.
In this event, the Rom nationalists have piggybacked on that quality. Yet the notion that what these dancers are doing, saying, wearing, etc. has any resemblance to what the Gypsies' ancestors may have done is ridiculous IMO.
http://www.youtube.com/watch?v=2TsSL0im1nA